Die Ölgemälde alles Emile Schuffenecker
Choice ID Image  Painting (From A to Z)       Details 
54281 A Cove at Concarneau  A Cove at Concarneau   mk235 1887 Oil on canvas 38.1x55.2cm
70579 Corner of a Beach at Concarneau  Corner of a Beach at Concarneau   1887(1887) Oil on canvas 38.1 ?? 55.2 cm (15 ?? 21.73 in)
72513 Corner of a Beach at Concarneau  Corner of a Beach at Concarneau   1887(1887) Oil on canvas 38.1 X 55.2 cm (15 X 21.73 in) cjr
74171 Coucher de soleil a Concarneau  Coucher de soleil a Concarneau   Date 1887(1887) Medium Oil on canvas Dimensions 38.1 X 55.2 cm (15 X 21.73 in) cyf
11666 Fresne-Saint-Mammes  Fresne-Saint-Mammes   1851- Paris 1934 Head of a Youn Girl 1' 5 3/4'' x 1' 2 3/4''(45 x 37.5 cm)
74313 Le Square au Luxembourg  Le Square au Luxembourg   Date 1885(1885) Medium Oil on canvas Dimensions 84.5 X 100 cm (33.27 X 39.37 in) cyf
80158 Portrait de Madame Champsaur  Portrait de Madame Champsaur   1890(1890) Oil on canvas cjr
84063 Portrait de Madame Champsaur  Portrait de Madame Champsaur   1890(1890) Medium Oil on canvas cyf
74172 Rochers a Yport  Rochers a Yport   Date 1889(1889) Medium Oil on canvas Dimensions 81.5 X 59.5 cm (32.09 X 23.43 in) cyf
72515 Rocks at Yport  Rocks at Yport   1889(1889) Oil on canvas 81.5 X 59.5 cm (32.09 X 23.43 in) cjr
70580 The Square  The Square   1885(1885) Oil on canvas 84.5 ?? 100 cm (33.27 ?? 39.37 in)
72552 The Square  The Square   1885(1885) Oil on canvas 84.5 X 100 cm (33.27 X 39.37 in) cjr
Emile Schuffenecker
French Post-Impressionist Painter, 1851-1934 French painter. In 1871 he entered the stockbroking firm of Bertin, where he met Paul Gauguin who was also employed there. In his spare time he took drawing classes and studied with Paul Baudry and Carolus-Duran, making his debut at the Salon in 1874. He also became acquainted with Armand Guillaumin and Camille Pissarro. Following the stock market crash of 1882, he, like Gauguin, was forced to leave Bertin and gained a job teaching art at the Lycee Michelet in Vanves. In 1884 he was one of the co-founders of the Salon des Independants and took part in the 8th and last Impressionist Exhibition in 1886, the year in which he also met Emile Bernard in Concarneau and sent him on to see Gauguin, thus initiating their joint development of CLOISONNISM. Though he mixed with the members of the Pont-Aven group his own artistic tastes were very different. While Gauguin and his disciples had little more than contempt for Neo-Impressionism, Schuffenecker was much interested in pointillist techniques.



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